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Fender Fender American Standard Stratocaster Electric Guitar Candy Cola Rosewood Fretboard
• New bridge with improved bent-steal saddles for increased resonance and sustain • New tinted neck treatment for a richer look • Thinner finish undercoat lets the body breathe and improves resonance • New Fender-exclusive SKB molded case • Beautiful new finish options The Fender American Stratocaster Electric Guitar is a Fender icon. Juicy upgrades include a richer, deeper neck tint for a more elegant and expensive appearance. Glossed neck front for improved looks with satin back for smooth playability. Bent steel Fender saddles with classic look and great tone. String spacing narrowed for modern playability, saddle height screws re-sized to reduce rough feel, and string slot on saddle elongated to reduce string friction or breakage. Copper Infused Cast Strat® Bridge Block (steel with copper- 100% metal) for increased mass and improved tone. This Strat features the original headstock shape but has staggered machine heads losing one string tree and improving string angle over the nut. Custom staggered pickup magnets improve string-to-string balance and give the G-string better tone. Cosmetics include parchment/black/parchment pickguard and parchment pickup covers, knobs, and tips.The return of the American Standard Series Strat continues Fender's tradition of commitment to the people who play Fender instruments out there in the real world. Today's American Standard Stratocaster guitars are worthy heirs of their revered ancestors-mindful of player needs and taking full advantage of modern advances, yet remaining completely true to the elements and spirit that made these instruments legendary in the first place. Improvements include redesigned bridges, neck and body finishes, and a Fender-exclusive high-tech molded case. Still there are the beloved hand-rolled fingerboard edges, alnico V pickups and staggered tuning machines for tone and stability guaranteed to last a lifetime (with its limited lifetime warranty)! So make history with the redesigned American Standard!Redesigned American Standard Strat® Bridge Gives sought-after tone with modern smooth trem travel. Block retains the mass and tone of a vintage bridge block, but is chamfered for access to deeper dives. Saddles have the classic look and tone, but with modern improvements (spacing, slot elongation, height screw length).Bridge Component Specifics 'American Standard' saddles- The original vintage-style Fender bent steel adjustable saddle is one of the components that give vintage Fenders their tonal 'mojo'. Fender conducted tone comparison tests, and fell in love with them all over again. They have a wider tonal range and more character many other saddles. Then Fender improved them; narrowing the spacing to afford more room (and complement the bigger frets and rolled edges), and also elongated the string slot to reduce friction and string breakage, while improving the string break angle over the primary contact point.'Tone-fusion' block- A typical cast bridge block is impregnated with a resin to eliminate 'voids' in the material and to bond it together this steel block is infused with copper, which makes the block 100% homogeneous metal. The result is a more musical, higher mass bridge that has more of that machined-block sound. Fender was also able to keep the same American Series profile for increased tremolo travel.
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Hohner Hohner 1896/20 Marine Band Harmonica Key of C
The one, the only, the original - the harp that was there when harmonica blues was born. Made famous when played by every serious harmonica player from Little Walter to John Lennon, Paul Butterfield to Bruce Springsteen, Neil Young and many, many more. The result of over 100 years of tradition and German craftsmanship, it is still the number one choice of top professionals and the most recognizable model all over the world, known for its full tone and wood comb. Play the Marine Band and be a part of history. Available in 12 major keys, lower and higher octave and minor tunings.
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Lee Oskar Lee Oskar Harmonic Minor Harmonica A MINOR
Lee designed this harp to produce soulful, Eastern European sounds. 5 notes have been changed from standard major tuning making Yiddish, French, Italian, Greek, Asian, Middle Eastern, gypsy and folk styles much easier to play. Built in Japan to his exacting standards and incorporating new techniques and materials, it was in 1983 that Lee Oskar introduced his new harmonica. The radically different harp design grew out of Lee's frustration with the lack of quality and consistency in the mouth harps of the day. The design also benefited from Oskar's insights as a seasoned recording and touring pro. The Dane's Design Central to Oskar's design is a smooth plastic comb that doesn't swell like traditional wood combs. Aside from being easier to keep clean, the plastic comb is impervious to the swelling of conventional harmonica wood combs that can tear up the player's lips. By making affordable replacement reed plates available, Oskar's harps can be easily refurbished. You no longer need to toss out a harmonica because a reed or two has gone south. Replacement reed plates are available for every model in the Lee Oskar harmonica lineup and installation is easy since they mount to the comb with just three self-tapping screws. The reed plates have wide chambers and narrow dividers for faster, easier playing. A precision-molded, recessed bed holds the reed plate securely to prevent air leakage and project a bigger sound. The corrosion-proof, stainless steel cover plates are also engineered for excellent projection and tone. (Replacement cover plates are also available.) Lee Oskar harmonicas are tuned to 441-plus hertz for a brighter sound. With equal tuning by octaves, Lee Oskar harps have excellent intonation for blowing highly articulate, single-note leads.More Keys and Modes Lee's innovation didn't stop with a better-designed harp. Recognizing the need for harmonicas tuned in other than the major and natural minor diatonic scales, he introduced the Melody Maker and Harmonic Minor series that make it easier to play melodies difficult if not impossible to play with a standard diatonic harmonica. Another indication of Oskar's hard-won knowledge as a touring pro: Each harp is clearly marked in bright white on both ends with its first- and second-position (straight and cross-harp) keys. Each harmonica box is color-coded according to its series and also displays its key prominently. If you've ever struggled to find the right harp on a darkened stage, you will appreciate this simple yet essential touch. About Lee Oskar Even if you don't recognize Lee Oskar by name, if you've listened to pop radio much, you've probably heard his highly personal mouth harp style on War hits like "The Cisco Kid," "Low Rider," and "Why Can't We Be Friends." Oskar's staccato phrasing and uncanny tone—put to great use blowing horn-like unison riffs with saxman Charles Miller—gave War's funky stew of Latino, Caribbean, African, jazz, rock, and R&B elements a distinctive lead voice. This was especially true after the departure of vocalist Eric Burdon. The former Animals singer had been a focal point for War on early hits like "Spill The Wine." The band's eclectic and fluent mix of genres proved a rich fount leading to a string of '70s and '80s hits, usually with Oskar's distinctive harp riffs providing the signature sound.
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Takamine Takamine G360S G Series Dreadnought Guitar Natural
The Takamine G360S dreadnought guitar has the traditional look and big sound that flatpickers and singers prize. Featuring a solid pruce top and rosewood back and sides, this acoustic guitar will inspire you to bring out your musical best. Adorned with gold and pearl tuners, abalone snowflake fingerboard inlays, and a natural gloss finish. The G360S represents Takamine quality and value in an acoustic dreadnought guitar.
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Yamaha Yamaha YPT-400 Portable Keyboard Factory B-Stock
The YPT-400 61-key electronic keyboard combines traditional learning tools with hands-on performance features like Pitch Bend Wheel for authentic playing of guitar and horn sounds, Control Knobs that allow you to have real time control over filters, effects, EQ, and tempo. It has an arpeggio function for techno and synthesizer keyboard playing that can automatically add the playing of notes in rapid succession in ascending and descending fashion. These are easy to use professional features that set the Yamaha YPT-400 keyboard apart from others in its class. You'll sound great!There are many tools in this Yamaha keyboard that make it easy to be a power user from the first day you own it.•Music Finder: Complete piano setups by song title. The keyboard selects an appropriate voice for the right hand melody, the correct musical style and the correct tempo. Simply call up a song title and start playing. •One Touch Setting (OTS): Provides you with a recommended voice with effects for each style. For example, on a jazz style OTS might be piano, for a Latin style it might be acoustic guitar and for a rock style it might be a guitar with overdrive etc.•Registration Memory: Set the keyboard up just the way you like and take a digital snapshot by memorizing it to one of the Registration buttons. Load and save up to 16 Registrations to User memory. The Registration buttons are conveniently located just above the keyboard. •Performance Assistant Technology: Performance assistant technology is a feature from Yamaha that guarantees that you can't play a wrong melody note or chord. Here's how it works. Select a song, press the Performance Assistant button Chord Mode and play the keyboard any notes you like. Every note you play will fit the music! If you move up the keyboard, the pitch goes up. If you move down, the pitch goes down. Play a perfect arpeggio, or play chords in time with the music, or really "go for it" and play a solo. As long as performance assistant is "on", you're "on". Imagine being able to give a concert to your friends or relatives the very first day that you bring this remarkable keyboard home. Well, with the YPT-400 and performance assistant technology, you can! This keyboard is the first in the line to offer Chord/Free Mode in addition to Chord Mode described above. Chord/Free Mode allows those that have learned a melody with their right hand to have the keyboard correct the notes of their left hand. This allows you to concentrate on one hand at a time while learning. Play the correct notes with the right and any notes with the left and you're making beautiful music. In addition to working with any of the internal songs with chords, this feature also works with XF MIDI files.Yamaha Education Suite: Helps you learn to play The YPT-400 has 30 built-in songs, plus 70 more on an included CD-ROM, for you to learn to play using the Yamaha Education Suite. The songs are separated into left and right hand parts, providing 7 levels of lessons plus a convenient chord dictionary.Three keyboard lessons for each hand: •Waiting Mode stops the playback of a song until you find the correct note and then continues •Your Tempo Mode Learn to play the correct notes with the correct timing. Song playback tempo will vary to match the speed you are playing at. The song will slow down when you play wrong notes, so you can learn at your own pace •Minus One Mode Here's where you can perfect your technique. The song will play at the normal tempo, minus the part you have chosen to play. Play along while listening to the song •Lesson Grading monitors your progress as you practice each lesson and gives you a grade •Repeat and Learn The song location will move back four measures from the point at which you pressed the button, and playback will begin after a one measure count-in. This section will repeat allowing you to practice until perfect •Chord
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Gibson Gibson Limited-Edition John Lennon Les Paul Junior Electric Guitar Faded Cherry
John Lennon was always a fan of Charlie Christian, and he also enjoyed tinkering with his guitars. So when he met New York luthier and guitar repairman Ron DeMarino in the early '70s, he asked him to take his 1950s Tobacco Sunburst Les Paul Junior and add the pickup made famous by the jazz legend. Later, at Lennon's request, DeMarino sanded off the 'burst finish and added the Tuno-O-Matic bridge and stop tailpiece. On August 30, 1972, Lennon used his customized Les Paul in its new, raw wood state during his famous benefit concert at New York's Madison Square Garden. Today, the guitar is on permanent display at the John Lennon Museum in Japan. Histroy of The John Lennon Les Paul JuniorBy Andy Babiuk, author of the bookJohn Lennon a name known worldwide as an icon, musician, and poet, the voice of a generation, and without a doubt, one of the most important and influential figures in rock 'n' roll history. It was John Lennon and the Beatles that forever changed the world of music and pop culture.As with all great musicians, the tools of the Beatles' trade at times became as important as their music. The instruments they chose helped to reflect their thoughts, ideas, and even lifestyles. The everlasting images of Lennon with his Gibson J 160E guitar during the height of Beatlemania, or his Epiphone Casino on the rooftop of the Beatles' Apple headquarters, or his modified Gibson Les Paul Jr. at his famous 1972 Madison Square Garden concert have all left a lasting impression on our minds. John Lennon is so closely associated with these instruments that the instruments themselves have become extensions of Lennon's personality.Lennon solo After the break up of the Beatles, the prolific John Lennon immediately embarked on his successful solo career, recording and collaborating with wife Yoko Ono. It was during this time, in the early '70s, that John Lennon expressed his passion for New York City. "It's the greatest place on earth," he said. "I love the place 'cause this is where the music came from; this is what influenced my whole life."Soon after, on September 3, 1971, the Lennons left the U. K. for New York, never to return. Lennon enjoyed New York's artistic environment. "There are these fantastic 20 or 30 artists who all understand what I'm doing and have the same kind of mind as me," he said. "It's like heaven."Enter Ron DeMarino Ron DeMarino, a New York luthier known for his guitar repair and restoration work, met the Lennons in late 1971. "I was at one of the guitar shops on 48th Street and overheard a guy who was looking for an old vintage amp for a friend," DeMarino recalls. "The store didn't have that style of amp, but I did, so when the guy left the shop I told him that I had one to sell. He told me that it was for John Lennon, and I of course didn't believe him. The guy introduced himself as Claude and said he worked for Lennon. He gave me his phone number and asked me if I was really interested in selling the amp to call him. So I got back to my shop and gave Claude a call. Sure enough, after making some arrangements, I found out that the amp was indeed for John Lennon."That's when I got to know John, when he was still on Bank Street. It was around the time he was working with Elephant's Memory, and he was hanging around with their guitarist Wayne Gabriel, who they use to call Tex. They found out that my business was restoration work on guitars, so they had me start going through the many guitars that had to be worked on. I had worked my way into being sort of a confidant, in a good position with them. I was very straightforward; I was not ga ga being around John or Yoko, so I guess they kind of liked that. I stayed doing work for them for a while. It was kind of a relaxed environment. There was never any stress or forced attitudes so anything that John told me was candid and truthful.&q
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